Publications

Forthcoming Publications and Projects

2025-2026
The North East Project, ongoing.

2025-2026
Consultant, Archival and Exhibition Research for Matisse’s Femme au Chapeau: A Modern Scandal.
(San Francisco Museum of Modern Art, forthcoming exhibition and publication, 2026).

2024-2025
Special Projects Consultant conducting in-depth provenance research on the John A. and Audrey Jones Beck Collection of Impressionist, Post-Impressionist, and early Modernist works. 
(Museum of Fine Arts, Houston, online publication, 2025).

2024
Author of “Early Modernist Collectors of the Galerie B. Weill” in Berthe Weill: Art Dealer of the Parisian Avant-Garde (Paris: Flammarion, 2024).
https://greyartmuseum.nyu.edu/exhibition/berthe-weill/

2022
Editorial Consultant for Pow! Right in the Eye! Thirty Years Behind the Scenes of Modern French Painting. First published in 1933 by Berthe Weill; Translated from the French by William Rodarmor (Chicago: The University of Chicago Press, 2022).
https://press.uchicago.edu/ucp/books/book/chicago/P/bo150671397.html

2021
Author of “Old Data-New Data: New Perspectives on Enriching Historical Data” for
the University of Maryland Digital Curation for Information Professionals (DCIP) Cohort, 2021. (UMD-DCIP, online presentation August 11, 2021).
https://ai-collaboratory.net/2021/08/23/dcip-cohort-2021-presents-capstone-projects/

The project was based on collaboration in the interactive digital interface “Remapping Southside Community,” developed by Dr. Richard Marciano and Dr. Myeong Lee, which combines archival research and technology. It is accessible on the “Urban Renewal Impact” website here.
https://urbanrenewalimpact.net/map

2021
Author of “The Importance of the Digitization of Archives and Digital Curation” in June 24, 2021: The Fourth Thursday: “Urban Renewal Impact” in Asheville (Advanced Information Collaboratory, online presentation June 24, 2021).
https://ai-collaboratory.net/2021/06/24/june-24-2021-launch-of-the-urban-renewal-impact-website-initiative/

2020
Author of “Collecting Evidence: The Making of an American Collection” in Colonists, Citizens, Constitutions: Creating the American Republic (New York, London: Scala Arts Publishers, Inc., 2020), pp. 10-13.

2014
Author of “Picasso and Montmartre: Fertile Grounds for Artistic Creation,” in Esprit Montmartre: Bohemian Life in Paris around 1900 (Munich: Hirmer Verlag, 2014), pp. 289-295.

2011-2012
Author of “Catalogue of the Stein Collections” and “The Stein Residences in Photographs” in The Steins Collect : Matisse, Picasso, and the Parisian Avant-Garde (New Haven and London: San Francisco Museum of Modern Art in association with Yale University Press, 2011-2012), pp. 360-457.

2011
Contributor to Dessins Français du XVI au XX Siècle (Paris: Boquet and Marty de Cambiaire, 2011), pp. 60-63.

2010-2011
Catalogue entries in De Renoir à Sam Szafran: Parcours d’un Collectionneur (Martigny: Fondation Pierre Gianadda, 2010), Feininger : cat. nos.112-118, pp. 228-241; Picasso : cat. no.97, pp. 210-211; cat. no.122, pp. 248-249.

2007-2008
Author of “Topographical Chronology: 1860-1885” in Renoir Landscapes: 1865-1883
(London: National Gallery Company Limited, 2007).

2007
The American Ambassador’s Residence in Paris : A Nineteenth-Century Mansion
(Commissioned by US Department of State).

2006
Author of “The World of Picasso” in Museo Picasso Málaga, Special Edition of Connaissance des Arts (Paris: Connaissance des Arts, 2006).

2003
Author of Collection Museo Picasso Málaga (Málaga: Museo Picasso Málaga, Fundacion Museo de Málaga, Fundacion Paul, Christine y Bernard Ruiz-Picasso, Tf Editores, 2003).

1999
Author of “A Chronology of the Primary Events in the Early History of Collecting Impressionist Art in England, France, Germany, Hungary, Scandinavia, Scotland, and Switzerland” in Impressionism: Paintings Collected by European Museums. (New York: Harry N. Abrams, Inc., 1999).